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Amplifiers › PRE-POWER COMBI



                                                                           OPEn: Upon taking off the base cover the MRE 220
                                                                           reveals an opulent interior where also semiconduc-
                                                                                 tors ensure operational safety and constant
                                                                                              conditions for the tubes.





                                                                                rency. Owing to the just not uncontrolla-
                                                                                ble, but very disciplined force of the po-
                                                                                wer amps, down-to-earth rockers got
                                                                                pant legs flapping. At the same time
                                                                                 the lows showed no trace of flapping
                                                                                 boominess, they rather sounded pithy
                                                                                  and solid – the Octaves unleashed
                                                                                  the churning sound orgies with al-
                                                                                   most mind-boggling effortlessness.
                                                                                     On the technical side this trans-
                                                                                   parency, together with an immense
                                                                                   velocity, demonstrated the bene-
                                                                                  fits of broadband, low-noise circuits
                                                                                 as cultivated by Octave. Musically it
                                                                                 revealed the fascination of sound pan-
           ased output voltage, is an ideal supplier   apart from distortion factors, band-  oramas as if conjured out of nowhere in
           for transformers. The likewise already   widths and S/N ratios.      the most natural way. And already we’re
           perfectly broken in MRE 220s got their   Did anybody still want to go “back“ to   once again brushing the sphere of fairy
           Super Black Boxes connected – and af-  the “normal“ MC stage? Not really, but   tales of which an Octave review should
           ter an unbitchily short warm-up phase   in its own right this phono twig also be-  stay clear by all means. After all, no
           things were really taking off.    ars quite wonderful, ripe fruit. The beau-  good fairy was performing a figment of
                                             tiful thing about the HP 700 SE is that   phantasy  here  –  instead  truly  existing
           MUSIcAL vERITY                    you can upgrade later and don’t need to   technology to create genuine sonic ma-
           In the listening test the Brothers Glim(m)   take an instant decision forever.   gnificence was at work. Sounds like a
           from Karlsbad were playing with an   On the other hand, the author was   fairy tale, but it isn’t.
           energy that would have resuscitated   able to take an instant decision that al-
           every Snow White abruptly. The some-  so  the  line-level section  belongs into
           times hard strokes by Hélène Grimaud   the league of excellence: beside sever-
           (see vinyl section) turned out to be pithy   al LPs he brought along the single-layer   BOttOM LInE
           attacks of a too often pampered Mo-  SACDs presented in the music column
           zart. Chuck Loeb’s brisk fu¬sion came   as well as the hybrid SACDs from Ars       Lothar Brandt
           bubbling out with such a feisty liveli-  chosen for the magazine CD “Der Per-      AUDIO editor
           ness from the Bowers & Wilkins 802   fekte Klang“  (“The  Perfect Sound“,
           D3 speakers that you were almost   see article on the mag CD). All of them
           tempted to grab the air guitar. The truly   were played in a flawless manner by   no fairy tale or wishful thin-
           unwieldy art of the musicians suddenly   the T+A MP 3100 HV reference player   king, but the result of inge-
           became so very accessible – demonst-  (page 12) into the line inputs of the Oc-  nious designer gumption
           rating en passant how superbly this mu-  tave preamp.                     and decades of experience:
           sic had been recorded.              Which here again showed a temper      together with the two enor-
            The symphonic “Emotional Storm“   that would have perfectly suited any Va-  mously high-torque MRE
           by Avishai Cohen, swirling in the jazz pi-  liant Little Taylor. But the HP 700 SE   220 mono blocks, Octave’s
           ano trio, let loose a heartfelt force as it   would probably seize much more than   amazingly flexible HP 700
           can only be produced by really great hi-  Seven At One Blow – it also organized   SE preamp makes a tube
           fi gear. Totally enraptured audition test   an 100-piece orchestra with utmost   trio which has no equal in
           notes by the author certified the chain   care. The spatial imaging in both width   its price class. Incorruptly
           of Octave’s step-up transformer, HP   and depth gradation was impeccably or-  transpa¬rent, super precise
           700 SE and MRE 220 a „musical since-  dered – and the Octave combi distingu-  and lightning-fast it reveals
           rity and truthfulness“ unheard so far in   ished itself once more with incredibly   musical verities. Although
           this price range. And which lies well   fast transients and crystal-clear transpa-  in fairy tale beauty.

     50    www.audio.de ›10 /2021
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